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Photography

Episode 11: Photographer Jade Doskow

For Ep11, I welcome architectural and landscape photographer Jade Doskow to Thinking of Art. After receiving her MFA from The School of Visual of Art in 2008, she has been documenting the sites of past World’s Fairs around the world. ‘Lost Utopias’, a decade-long photography project, captures the remaining architecture, art, and landscaping of international world’s fairs.

In 2016, her book ‘Lost Utopias’ was listed by American Photo as one of the top photo books of the year. Doskow was one of the 50 women artists featured in the 2018 October book publication 50 Contemporary Women Artists: Groundbreaking Art from 1960 to present.

She is on facility at SUNY and The International Center of Photography. Doskow’s photography has been featured and sold worldwide. Tune in to hear some incredible stories about her journey to document some of the most signifiant structures of architecture in the last 100 years! For sales inquires, contact Kipton.

Episode 10: Figurative Painter, Michele Del Campo

Ep10 with Italian Born, Madrid-based figurative painter Michele Del Campo at his studio in Madrid, Spain. During today’s Thinking of Art IG Live, we caught up on current life in Madrid during Covid-19, discussed his figurative painting style, heard how he stays inspired to capture emotions of those he paints, his big career break through, and had a private tour of his art studio. Del Campo also shared how he stays inspired as an artist, how his lifestyle has given him the ability to travel the world, and we answered many questions from the viewers around the world who joined the call. | Purchase works on artstager.shop

Episode 2: Rotem Reshef Live From Tel Aviv

Ep2 live from Tel Aviv, features Rotem Reshef. She is a process-based action painter and her artistic oeuvre presents a range of bodily gestures and techniques, such as imprinting, peeling, pouring and assembling natural and artificial sources and materials, that shape the various compositions over the different canvases. Reshef’s works deal with traces of human presence versus the appearance and disappearance of nature, as in the tradition of “Nature Morte”.

 Among the themes in her work are ecological shifts and seasonal changes, research of the influence of colors, tones and shades on our emotions and perceptions, and the passage of time and the fleeting moment. Reshef’s “ghostly” paintings often present the remains of an object that was part of the creation and then was removed. By leaving “evidence” on her surfaces, Reshef creates contemporary, painterly fossils, that present the duration of the creative process and the different stages of art making, from start to finish. By incorporating ambitious large-scale formats and extensive tonalities that should be viewed in person, Reshef’s attention to detail and texture aims to resist art consumption solely via social media and the flat screen, and encourages art observance in real life. Purchase works on www.artstager.shop